3d orange red or red featuring a beaver in a river.
6d slate violet or variants of grey, featuring HRH Prince Albert
12d black featuring the Alfred Chalon portrait of Queen Victoria
10d blue featuring a three quarter portrait of Jacques Cartier.
1/2d rose featuring the William Wyon bust portrait of Queen Victoria
71/2d green featuring the Chalon portrait of Queen Victoria
Sir Sanford Fleming, who was instrumental in the construction of the Canadian Pacific Railway, and who was featured on a stamp issued in 1977, designed the 3d and 6d values. The 10d was adapted from a sketch by William Henry Griffin. The 1/2d design was after a bust designed by William Wyon, which was popular on the coins issued during the period in the UK. Finally the 71/2d and 12d values were based on the famous portrait of Queen Victoria by Alfred Chalon.
The stamp frames were engraved by W.H Egleton, while the vignettes were engraved by Alfred Jones. The stamps were printed by Rawdon, Wright, Hatch and Edison of New York, which would later become known as the American Bank Note company of New York,
The very first printings were made on a very thin, laid paper, which is extremely fragile. Only the 3d, 6d and 12d are found on this paper. Starting in 1852 a stronger wove paper was employed for the other values. These stamps have full catalogue status in that almost albums contain a space for the 3d and 6d on wove. Stanley Gibbons lists the 12d on wove, but Canadian experts maintain that it is not wove paper, but merely laid paper in which the lines are not clearly visible. There are also two additional printings of the 6d which many albums contain a space for. One is on thick hard paper in grey violet (Scott #5d) and the other is on thick fibrous opaque wove and is in a distinct reddish purple shade (Scott #10).
In mint condition, the stamps of this issue are all extremely rare and except for the 3d on wove paper, are all over $10,000 each in mint condition. In used condition, the both 3d's most of the 6d's, the 10d, 1/2d and 71/2d can all be had for under $3,000 each in fine condition. Top notch XF or better quality will of course cost a lot more, but very sound examples can be obtained by most conscientious collectors willing to be patient.
The 3d and 6d values are shown below from the stamps currently in my stock:
This issue does offer some challenging points of interest for the ambitious philatelist who wants to go beyond obtaining one example of each basic stamp. Even collectors of modest means can specialize in this issue provided that they are willing to accept examples in VG condition or below. To form a collection of fine or better examples to any degree of specialization would be a very expensive endeavour indeed.
What are the main points of interest on this issue? Well there are:
1. Shade varieties on all values except the 12d black.
2. Additional paper varieties on the 3d, 1/2d and 10d.
3. Stitch watermarks on all the wove paper stamps.
4. 4-ring numeral cancels for different towns. There are 54 numbers in use during this period, some of which are unknown as yet.
5. All the 6d's and the 3d on wove paper are known bisected on cover and used as 3d's and 11/2d's respectively.
6. Of course all the values can be found on cover.
7. Re-entries are found in all the stamps except the 6d's and the 12d.
8. A wide variety of plate proofs in both the issued and trial colours can be found. These are generally not nearly as expensive ($200-$500 each) and make a good alternative to mint stamps. Unitrade lists 48 varieties including the proofs overprinted specimen.
9. The 71/2d can be found with a plate flaw in the upper right fraction of the value, where the "1" is almost obilterated.
You may be wondering what a stitch watermark is. Well it is caused by the joining of the paper rolls. Paper in these days was handmade, and as the rolls were joined together, they had to be stitched together. This leaves a clear stitch pattern, which can be either horizointally or vertically oriented accross the stamp. As you can imagine these would be exceptionally rare because they would occur so infrequently to begin with, and the odds of the few stamps printed on this are of the paper so affected would be very low.
The paper varieties that can be found on the 3d wove include:
1. Soft ribbed wove,
2. Thin paper with an orange red shade,
3. Ribbed hard wove,
4. Thin oily paper,
5. Thick hard paper
Unfortunately Unitrade does not tell you how to distinguish the thick papers and thin papers from the normal medium wove. That will be the subject of another post, when I myself learn the differences.
The 10d comes on both a thick opaque white wove and a thin, crisp transparent wove, while the 1/2d rose in addition to the normal medium wove, exists on horizontally ribbed and vertically ribbed papers, both of which are very rare.
The shade varieties of interest on the 3d are:
1. Red (laid and wove papers),
2. Orange red (laid and wove papers),
3. Brown red,
5. Deep red
6. Scarlet vermillion.
The 6d's come in a very wide variery of grey and violet shades as follows:
1. Slate violet (laid paper only)
2. Greyish purple (laid paper only)
3. Brown purple (laid paper only)
4. Slate grey (wove paper only)
5. Greenish grey (wove paper only)
6. Grey violet (wove paper only)
7. Reddish purple (thick fibrous wove only)
It has been suggested by the late philatelist, Robson Lowe that reddish purple might well have been the original and only colour that this stamp was issued in and that all the shade varieties have been the result of changes caused by chemical reactions over the years. He based his theory on the fact that there was a very notable Parisian dealer in the early 20th century that had purchased stocks of the stamp when it was issued. There is obviously no way to prove this either way now, so all of these colour variations remain collectible.
The 10d exists in a blue and dull blue shade. The 71/2d green comes in both regular and dark green and finally the 1/2d rose exists in a lilac rose shade as well.
For an explanation of the different grading terms used, please refer to the foollowing links to my store pages where I explain the ins and outs of stamp grading: