Canadian Philately - The Stamps and Postal History of Canada 1851 to Present by Brixton Chrome

Overview of the History of Plate Block Collecting Plate block collecting used to be popular among philatelists who wanted to obtain a copy of each major printing of a stamp produced in a long running definitive series. Obtaining the corner block, or centre block containing the plate number and inscription "proved" that the stamp came from a different printing. Also, since records were generally kept of when the different plates were put to press, a specialist could assign different printings to a specific date. It used to be extremely popular among collectors in the 1950's and 1960's. On Canadian sheets, the layout of a printing sheet was usually between 200 to 600 subjects arranged into 4 or 6 smaller sheets for distribution to the post offices. Usually, the inscriptions were placed on the outer corners of the larger sheets. This meant that for any given post office sheet, you would only get one corner. If you collected all four corners of a plate, they

It is a well known fact that the early stamps of Canada are very scarce in superb mint or superb used condition. Indeed collectors over the last several years have been very willing to pay increasing prices for superb examples of otherwise common stamps. The premiums have been nothing short of astonishing: 1. A 1c green Admiral from 1914-22 in superb NH mint condition can sell for as much as $300 today. Back in 1990 I hardly ever saw a stamp like this sell for more than $20. 2. A $5 Jubilee from 1897 in VFNH condition used to sell for around $1,000 or so. In recent years, a stamp like this has sold for as much as $10,000 at auction. However, all of this attention  to quality drops off abruptly at 1947, with most dealers and collectors paying very little attention to grade. Most modern issues are regarded as being so common that few people seem to care about seeking them out in superb grades. Perhaps this is due to the perception that such stamps are easily found. I have just fi

As with the gums on this issue the paper is another attribute that has received a lot less attention than it should. Unitrade had started listing fluorescent papers on this issue many years ago, and so most collectors with more than a passing interest in Canadian stamps are aware that this issue comes on fluorescent paper. However, what has not received very much attention are the papers that the catalogue refers to as plain or dull. Unitrade gives the impression that there is but a single type of plain paper. However, nothing could be further from the truth. Close examination will reveal that in addition to six different paper textures, there are also eight different types of dull paper that each appear different under ultraviolet light as follows: Paper Textures: 1. Horizontal wove paper showing strong ribbing on both the front and back of the stamps. 2. Horizontal ribbed paper showing ribbing on the front only. 3. Horizontal ribbed paper showing ribbing only on the back. 4. H

The study of gum on Canadian stamps is a subject that has received very little detailed study, except with regard to the authentication of whether the gum found on a particular stamp is original or not. Very little attention has been paid to studying the characteristics of stamp gum to see if there are patterns that enable philatelists to accurately place or date particular printings of long-running definitive stamps. I am not sure why this is. Perhaps it may be due to a long held perception that the characteristics are too difficult to describe reliably in a way that a philatelist reading the description can recognize and correctly identify in his or her stamps. Perhaps it is due to a perception that there is too much random variation in the appearance of gum on individual stamps and that therefore the differences are not collectible as it would be impractical to form a "complete" collection of all the types. I will contend after handling over 1,200 mint stamps, coils, boo

This post will deal with some of the errors and oddities that are found on this issue. I will say that overall this was a very well printed issue that seems to have suffered from few mishaps. However, with patience and careful examination of the stamps, there are interesting oddities to be found. Foldover Errors and Pre-Print Paper Creases  The above freak is the result of a crease in the stamp paper that occurred before printing. The design was printed over the creased paper, which then left an unprinted void when the crease was opened out.  The Damaged E Variety This variety is really more of a deformity of the "E"in the left "EIIR"of some of the 2c, 4c and 5c coil stamps. It is a constant variety that can be found in complete rolls of the coil stamps. So in a sense it is the most common of all the varieties in this post. I do not know what the cause is, but it is likely some aspect of the coil production and the same thing that was resp

This is a topic that only became apparent as I worked on many hundreds of plate blocks, but has turned out to be one of the mysteries of plate blocks printed in the modern period. Several years ago, I noticed that many lower right blocks and many lower left blocks contained a coloured dot in the lower selvage. I do not know what the significance of these dots are, but it seemed as though every issue from 1935 onward printed by the Canadian Bank Note Company has these dots only on the two lower positions.  The above scan shows the position of the dot on the lower right position under the "C" of "Canadian". The scan below shows the position of the dot below the period of "Limited.".  It would be easy to assume that all the blocks have these dots in the same position, but then I came across the blocks from the high numbered plates on the vertical wove paper, and this is what I found: On these blocks, we can see that inste

The 4c violet in this issue rivals the 5c in terms of its complexity. The shades range from rosy violet and milky violet on the one hand through to deep purple violet, to deep blackish violet on the other hand. The progression is so gradual though that it is easy to see a large group of 4c stamps and think that they are all more or less the same. However, as with all the stamps of this series, patient and careful examination will reward you with many variations that are actually quite obvious when youn see them. The shade varieties that I have found are as follows: On plates 1-12n, the booklet panes and coil stamps: 1. Deep violet 2. Violet 3. Deep bright violet 4. Deep milky violet 5. Milky violet 6. Bluish violet 7. Bright violet 8. Bluish milky violet 9. Purple violet 10. Dull  violet On plates 15-19: 1. Bluish violet 2. Violet 3. Dull violet 4. Deep violet 5. Light violet 6. Milky violet 7. Rosy violet 8. Deep rosy violet 9. Blackish violet

The next two stamps in this series have fewer shades than the others. However, there are a few that are very distinct: On the 2c value the following shades are found: 1. Bright green 2. Green 3. Light dull green (usually on the high plates 11-20 and the cello-paqs.) 4. Dull green (usually on the high plates 11-20 and the cello paqs.) 5. Deep green (usually on the low plates 1-9) On the 3c value: 1. Carmine 2. Carmine rose 3. Deep carmine On this value, the carmine rose shade is almost a bright cerise. It seems to be found usually on the earlier printings. The later printings and tagged stamps seem to mostly be either carmine or deep carmine.

As promised, I have a clear afternoon on this Boxing Day to sit and write some posts summarizing some of my additional observations that have come from working with over 1,200 items from this series over the past month. It is no exaggeration to say that this issue really is the modern equivalent of the "Admiral Issue". But the wonderful thing for collectors is that this set is both much more affordable, and it is possible to form a complete collection of all the plate blocks. It may even be possible to acquire a complete collection of plate sheets. I can say with reasonable confidence that such a feat is no longer possible on the Admirals, given that over 200 different plates were used to print each of the low values in that issue. However, it is possible to master this series without having to be a millionaire to do it. However, from what I can see after working on this issue for a month, I can see that doing so rigorously, with proper statistically valid paper and sh

As promised, I am augmenting my posts on the Wilding Issue with a series of additional posts to cover off some of the detail that has become apparent to me while I was listing the plate blocks of this issue. I'm going to start with the shade varieties of the 5c blue as this is the value that I have just been working on, so the shades are all fresh in my mind. As I have written in previous posts, this value was printed from no fewer than 19 plates, although plate 14 cannot be positively identified because the inscriptions were trimmed off all sheets. This variety of printings has produced no fewer than 22 identifiable shade varieties of blue or ultramarine. Some of these are very subtle, but some are not at all, as shown in the picture below: How anyone can think that the two blocks on the left are the same colour is beyond me. These differences are every bit as significant as what we are used to seeing on the popular Admiral series of 1911-1928. There may even be more shades

After working extensively with the plate blocks of this issue, I feel that it is necessary to write some additional in-depth posts about this issue before moving on to the next definitive issue. In the next three weeks or so, I will start to write posts on the following topics: 1. Shade varieties on the 1c violet brown 2. Shade varieties on the 2c green 3. Shade varieties on the 4c violet 4. Shade varieties on the 5c blue 5. Position dots on the plate blocks 6. The gum on the Wilding issues - collectible varieties versus random variations. 7. The Dull Fluorescent Papers. 8. The scarcity of superb stamps in modern Canadian philately. 9. Forming a specialized collection of plate blocks of the Wilding Issue. 10. The existence of cracked plates on the Wilding Issue. 11. Constant plate varieties on the booklet covers. Watch this space starting after Christmas for these posts. In the meantime, if you would like to see the plate blocks I have listed so far, click on the followi

I am still working on listing the plate blocks of the 4c, 5c, 6c, 10c, 15c, 20c and 25c stamps from this issue. This week I hope to finish the listings for the 4c plate blocks. I have been updating my post dealing with the plate blocks of this issue, specifically for the printing order numbers found on the lower left positions: I am now up to plate 5 of the 4c value and I still have some 15 plates of this value and 19 plates of the 5c to go in addition to the high values. So please be sure to check this post regularly for updates. 

I had promised an update today or an overview post of the 1963-1967 Cameo Issue. Unfortunately, the Wilding Issue is taking much longer to get through than I thought. As of today, I expect to complete the 3c value and as the 2c value took a full week to get through, I think this set will take me another 3 weeks to complete - so probably around Christmas. In the meantime, I will post any new observations that come to light as I continue to list the stamps and plate blocks of this issue. In particular, I am updating my post dealing with the plate blocks of this issue as I examine more and more blocks and new printing order numbers become known. Be sure to go back and re-read this if this topic interests you. One comment that I can definitely make at this point is that the paper differences that I have written about are becoming more and more pronounced as I examine more and more blocks. Also, I am finding that many plate positions have characteristics with regard to paper texture and